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 Hindu Temples In India 2022

                A Mandir or Hindu temple is a symbolic house, seat and body of divinity for Hindus. It is a structure designed to bring human beings and gods together, using symbolism to express the ideas and beliefs of Hinduism.[1][2] The symbolism and structure of a Hindu temple are rooted in Vedic traditions, deploying circles and squares.[3] It also represents recursion and the representation of the equivalence of the macrocosm and the microcosm by astronomical numbers, and by "specific alignments related to the geography of the place and the presumed linkages of the deity and the patron".[4][5] A temple incorporates all elements of the Hindu cosmos — presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and the essence of life — symbolically presenting dharma, kama, artha, moksa, and karma.[6][7][8]

            The spiritual principles symbolically represented in Hindu temples are given in the ancient Sanskrit texts of India (for example, the Vedas and Upanishads), while their structural rules are described in various ancient Sanskrit treatises on architecture (Bṛhat Saṃhitā, Vāstu Śāstras).[9][10] The layout, the motifs, the plan and the building process recite ancient rituals, geometric symbolisms, and reflect beliefs and values innate within various schools of Hinduism.[3] A Hindu temple is a spiritual destination for many Hindus, as well as landmarks around which ancient arts, community celebrations and economy have flourished.[11][12]

            Hindu temples come in many styles, are situated in diverse locations, deploy different construction methods and are adapted to different deities and regional beliefs,[13] yet almost all of them share certain core ideas, symbolism and themes. They are found in South Asia, particularly India and Nepal, Bangladesh, Pakistan, Sri Lanka, in Southeast Asian countries such as Cambodia, Vietnam, Malaysia, and Island of Indonesia,[14][15] and countries such as Canada, Fiji, France, Guyana, Kenya, Mauritius, the Netherlands, South Africa, Suriname, Tanzania, Trinidad and Tobago, Uganda, the United Kingdom, the United States, and other countries with a significant Hindu population.[16] The current state and outer appearance of Hindu temples reflect arts, materials and designs as they evolved over two millennia; they also reflect the effect of conflicts between Hinduism and Islam since the 12th century.[17] The Swaminarayanan Akshardham in Robbinsville, New Jersey, United States, between the New York and Philadelphia metropolitan areas, was inaugurated in 2014 as one of the world's largest Hindu temples.[18]

Indian texts call the craftsmen and builders of temples as ‘‘Silpin’’ (Sanskrit: शिल्पिन्[73]), derived from ‘‘Silpa’’.[74] One of earliest mentions of Sanskrit word Silpa is in Atharvaveda, from about 1000 BCE, which scholars have translated as any work of art.[75] Other scholars suggest that the word Silpa has no direct one word translation in English, nor does the word ‘‘Silpin’’. Silpa, explains Stella Kramrisch,[44] is a multicolored word and incorporates art, skill, craft, ingenuity, imagination, form, expression and inventiveness of any art or craft. Similarly, a Shilpin, notes Kramrisch, is a complex Sanskrit word, describing any person who embodies art, science, culture, skill, rhythm and employs creative principles to produce any divine form of expression. Silpins who built Hindu temples, as well as the art works and sculpture within them, were considered by the ancient Sanskrit texts to deploy arts whose number are unlimited, Kala (techniques) that were 64 in number,[76] and Vidya (science) that were of 32 types.[44]

The Hindu manuals of temple construction describe the education, characteristics of good artists and architects. The general education of a Hindu Shilpin in ancient India included Lekha or Lipi (alphabet, reading and writing), Rupa (drawing and geometry), Ganana (arithmetic). These were imparted from age 5 to 12. The advanced students would continue in higher stages of Shilpa Sastra studies till the age of 25.[77][78] Apart from specialist technical competence, the manuals suggest that best Silpins for building a Hindu temple are those who know the essence of Vedas and Agamas, consider themselves as students, keep well verse with principles of traditional sciences and mathematics, painting and geography.[32] Further they are kind, free from jealousy, righteous, have their sense under control, of happy disposition, and ardent in everything they do.[44]

According to Silparatna, a Hindu temple project would start with a Yajamana (patron), and include a Sthapaka (guru, spiritual guide and architect-priest), a Sthapati (architect) who would design the building, a Sutragrahin (surveyor), and many Vardhakins (workers, masons, painters, plasterers, overseers) and Taksakas (sculptors).[32][46] While the temple is under construction, all those working on the temple were revered and considered sacerdotal by the patron as well as others witnessing the construction.[74] Further, it was a tradition that all tools and materials used in temple building and all creative work had the sanction of a sacrament.[32] For example, if a carpenter or sculptor needed to fell a tree or cut a rock from a hill, he would propitiate the tree or rock with prayers, seeking forgiveness for cutting it from its surroundings, and explaining his intent and purpose. The axe used to cut the tree would be anointed with butter to minimize the hurt to the tree.[44] Even in modern times, in some parts of India such as Odisha, Visvakarma Puja is a ritual festival every year where the craftsmen and artists worship their arts, tools and materials.